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<title>Calls for Papers</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/" />
<modified>2006-06-07T04:26:48Z</modified>
<tagline>Calls for Papers</tagline>
<id>tag:www.tedfriedman.com,2006:/cfps//2</id>
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<copyright>Copyright (c) 2007, billy</copyright>
<entry>
<title>(11/1/2006) CFP: Aesthetika: Ethics and Cinema - Dilemmas for a New Millennium</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2005/11/1112006_cfp_aes.php" />
<modified>2006-06-06T21:24:07Z</modified>
<issued>2005-11-01T21:22:02Z</issued>
<id>tag:www.tedfriedman.com,2005:/cfps//2.1030</id>
<created>2005-11-01T21:22:02Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>CALL FOR PAPERS Volume 3, Issue 1</p>

<p>Ethics and Cinema–Dilemmas of a New Millennium, Frame by Frame Submission period for this issue 1 June, 2006 – 1 November, 2006</p>

<p>Ethika.org is an independent, non-profit, international development created by faculty members and doctoral students from the University of Buenos Aires, Argentina and the University of Illinois at Urbana-Champaign, USA.<br />
Ethica.org provides an informative and stimulating interdisciplinary forum for people wishing to share their knowledge and insights with a broad, diversified audience. This site publishes an online, multilingual journal twice a year. Its name, Aesthethika C, is a neologism that combines the expressions "ethics" and "aesthetics". We understand these terms in a broad sense. Our concern is to articulate a variety of perspectives and methodologies to understand and question the complex interplay of culture, subjectivity, discourses and politics, and their expression in all forms of human life. Ethika.org is also a site with information for researchers,<br />
professors, graduate students and performers.</p>

<p>Style Requirements</p>

<p>Manuscript should be submitted to our Chief Editors, who will deliver them to the Editorial Board for blind assessment by two outside reviewers, (1) a faculty member and (2) an advanced Ph.D. student. The Editorial Board members are drawn from a diverse array of universities in different countries whose work and interests reflect the scholarship Aesthethika © focuses on. </p>

<p>Please submit 2 electronic copies of your manuscript, one to each Chief Editor. Manuscripts should be no longer than 25 pages (double-spaced) or 7,000 words (including notes and references) and can be prepared following MLA, APA, or Chicago style. Manuscripts should include an abstract of no more than 200 words and have a detached title page listing your name, institutional affiliation, address, phone number, and email address. If your manuscript is accepted for publication (with suggested revisions or not), you will be asked to resubmit an electronic version of your manuscript (with necessary revisions, if applicable). </p>

<p>Manuscripts must be submitted as an attachment in an electronic file format in Microsoft Word. No author identifying material is to be contained in the manuscript, including the abstract and references. Author identification marks within the text will automatically invalidate its revision. The covering email message should contain a short description of the manuscript (topic, methodology, number of pages, tables, figures, and graphics). </p>

<p>Graduate students’ manuscripts should be identified in the body of the email: GRADUATE STUDENT. You are supposed to provide authorization for photographs, images (or similar material) attached to the document.</p>

<p>Authors are responsible for reviewing page proofs to correct errors and answer editors' queries. Prompt return of page proofs is mandatory. Reprints may be ordered at the time page proofs are returned.</p>

<p> Please send manuscripts electronically to: </p>

<p>Juan J. Fariña<br />
jjmf@psi.uba.ar</p>

<p>Miguel Malagreca <br />
malagrec@gmail.com<br />
 <br />
Please expect 3-4 weeks to receive review notification.<br />
</p>]]>

</content>
</entry>
<entry>
<title>(11/15/06) Communication Yearbook 32</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2005/11/111506_communic.php" />
<modified>2006-06-06T22:42:08Z</modified>
<issued>2005-11-15T22:41:35Z</issued>
<id>tag:www.tedfriedman.com,2005:/cfps//2.1039</id>
<created>2005-11-15T22:41:35Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Communication Yearbook 32--Call for Submissions</p>

<p>Communication Yearbook 32 will feature state-of-the-discipline<br />
literature reviews of communication research. In particular, the volume<br />
will highlight reviews of research exploring communication concepts that<br />
span traditional "division" divides, issues of central importance to the<br />
accomplishment of communication in a variety of contexts and for diverse<br />
communicators throughout the world. The volume will also feature<br />
literature reviews that detail how bodies of research can and should<br />
inform and enhance other scholarly areas in the broader communication<br />
discipline as well as enlighten various stakeholders as they wrestle<br />
with interpersonal, health, organizational, inter/intracultural,<br />
international, mediated, technological, political, rhetorical, and/or<br />
societal communication challenges.</p>

<p>Potential contributors may submit a narrative analysis or a<br />
meta-analysis; however, they should carefully integrate comprehensive<br />
and thoughtful synthesis and critique of core research findings as well<br />
as reflections on future directions for this area of scholarship in<br />
terms of theory and application. Potential contributors may certainly<br />
review relevant literature published in any language, but submissions<br />
must be written in English. Submissions must adhere to APA, 5th edition.</p>

<p>Potential contributors must submit extended abstracts (e.g., 10-15<br />
pages) or complete manuscripts (maximum of 70 pages, including all<br />
references and</p>

<p>tables) by no later than November 15, 2006. Early submissions are highly<br />
encouraged. If authors opt to submit an extended abstract, they must<br />
include (a) a compelling rationale for the value of the particular<br />
literature review for a global community of diverse communication<br />
scholars and stakeholders, (b) a persuasive description of (and argument<br />
for) the bodies of scholarship that will be reviewed, and (c) a specific<br />
outline for the more developed chapter. Notably, the extended abstract<br />
does not need to reference all of the particular articles and/or books<br />
that may be reviewed, but it should provide clear explanation of how the<br />
literature review will be conducted and how relevant bodies of work will<br />
be selected.</p>

<p>Please submit documents electronically via Word attachment to Dr.<br />
Christina S. Beck, Editor, Communication Yearbook 32, at BECK@ohio.edu.<br />
All documents must be prepared in advance for blind review, with all<br />
identifying aspects removed. Authors must mask references to their own<br />
works within the text. The title page must be submitted as a separate<br />
word document, and it should include all contact information (i.e.,<br />
mailing address, e-mail address, telephone number, and fax number) for<br />
all authors as well as a list of keywords for the submission.</p>

<p>For more information about Communication Yearbook 32 or this call for<br />
submissions, please contact Dr. Beck at (740) 593-9167 or via e-mail at<br />
BECK@ohio.edu. Although electronic submissions are required, other<br />
correspondence may be sent, if desired, to: Dr. Christina S. Beck,<br />
Editor, Communication Yearbook 32, Ohio University, School of<br />
Communication Studies, 210 Lasher Hall, Athens, OH 45701.<br />
</p>]]>

</content>
</entry>
<entry>
<title>(11/36/06) Convergence: Playing with convergence – digital games</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2005/11/113606_converge.php" />
<modified>2006-06-07T02:37:10Z</modified>
<issued>2005-12-01T02:36:11Z</issued>
<id>tag:www.tedfriedman.com,2005:/cfps//2.1045</id>
<created>2005-12-01T02:36:11Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Call for Papers:</p>

<p></p>

<p>Convergence: The International Journal of Research into New Media<br />
Technologies Vol 13 no 4</p>

<p></p>

<p>Special Issue: Playing with convergence – digital games</p>

<p></p>

<p>The field of Game Studies is maturing beyond the boisterous binary<br />
positioning that characterised its early development, with even those<br />
in attendance during the early ‘theory wars’ attempting<br />
rapprochements of one kind or another (e.g. Juul 2005, Jenkins<br />
2003).  The process of disciplinary development has shown that the<br />
most vociferously held early positions are simply inadequate to the<br />
task of accounting for the complex and diverse pleasures of gameplay,<br />
and the jostling to define games in general may even have distracted<br />
from  a proper critical focus on the games themselves.</p>

<p></p>

<p>We no longer need to describe our object of study as though to the<br />
uninitiated, nor do we need to persuade a resistant audience that<br />
games are cultural objects worthy of detailed critical analysis.<br />
This special issue is particularly interested in work which<br />
demonstrates a familiarity with the debates that have shaped the<br />
emergent field but which show the confidence to develop those earlier<br />
debates through detailed, sustained analysis of individual games.</p>

<p></p>

<p>For this special issue of Convergence: The International Journal of<br />
Research into New Media Technologies we are seeking original Research<br />
into videogames, and we are particularly interested in the following<br />
areas: consideration of the work of particular designers or design<br />
teams, reflections on the status of authorship in games, and<br />
reflections on the relationship between visual design and gameplay in<br />
particular games and considerations of the relationship between<br />
particular games and broader visual traditions.</p>

<p></p>

<p>We seek a variety of approaches that represent the diversity of work<br />
in game studies, from textual analysis through to ethnographic<br />
studies of players and historical investigations.</p>

<p></p>

<p>Authors should submit expressions of interest or papers to<br />
helen.kennedy@uwe.ac.uk or jason.wilson@luton.ac.uk</p>

<p>Deadline: 30th November 2006</p>

<p></p>

<p>www.luton.ac.uk/convergence<br />
http://www.sagepub.co.uk/journalsProdDesc.nav?prodId=Journal201774</p>

<p>Jason Wilson</p>

<p>Reviews Editor - Convergence</p>

<p>School of Media, Art and Design<br />
University of Luton<br />
Park Square<br />
Luton<br />
Bedfordshire<br />
LU1 3JU<br />
United Kingdom</p>

<p>T +44 (0)1582 489114<br />
F +44 (0)1582 489212<br />
M  07886508141<br />
jason.wilson@luton.ac.uk<br />
</p>]]>

</content>
</entry>
<entry>
<title>(12/15/2006) Southwest Texas PCA (conference)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2005/12/12152006_southw.php" />
<modified>2006-03-03T07:23:20Z</modified>
<issued>2005-12-15T14:42:36Z</issued>
<id>tag:www.tedfriedman.com,2005:/cfps//2.921</id>
<created>2005-12-15T14:42:36Z</created>
<summary type="text/plain"></summary>
<author>
<name>Bryce</name>

<email>bmncaper@canda.com</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Southwest Texas Popular/American Culture<br />
Association<br />
7 February 2007 to 10 February 2007<br />
Albuquerque, United States</p>

<p>The Southwest/Texas PCA/ACA aims to promote an innovative and nontraditional academic movement in Humanities and Social Sciences, to provide an outlet for scholars, writers, and others interested in the popular culture, to share ideas in a professional atmosphere, and to have papers presented at meetings.</p>

<p>The deadline for abstracts/proposals is 15<br />
December 2006.</p>

<p>Enquiries: kdvorak@houston.rr.com<br />
Web address: http://www.h-net.org/~swpca<br />
Sponsored by: Southwest Texas PCA/ACA</p>]]>

</content>
</entry>
<entry>
<title>(12-20-06) Citizenship and Media</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2005/12/122006_citizens.php" />
<modified>2006-10-04T21:41:41Z</modified>
<issued>2005-12-20T21:40:16Z</issued>
<id>tag:www.tedfriedman.com,2005:/cfps//2.1057</id>
<created>2005-12-20T21:40:16Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Citizenship and media<br />
Special Commentary Section of Media and Cultural Politics<br />
Issue 3.2</p>

<p>This is a call for short essays on the relationship between citizenship and media for the commentary section of the International Journal of Media and Cultural Politics (MCP). We invite essays that address any of the following questions or others not covered here. Do the media in our spectacle-laden, consumerist society trigger an evaporation of politics,or do they reinforce new forms of mediated citizenship? Can, and to what extent, particular media forms encourage a sense of political or social agency? Are we dealing with the inevitability of political atrophy (on a<br />
mega-level), or are we faced in our post-9/11 era with a different<br />
understanding of citizenship? Is this the way towards a global civil<br />
society?</p>

<p>Essays should be no longer than 2.000 words.</p>

<p>MCP addresses cultural politics in their local, international and global<br />
dimensions, and promotes critical, in-depth, engaged research on the<br />
intersections of sociology, politics, cultural studies and media studies.<br />
MCP aims to provide a forum for debate arising from findings as well as<br />
theory and methodologies, so a range of research approaches and methods is<br />
encouraged.</p>

<p>Deadline : 20 December 2006</p>

<p>For more information on the journals style guidelines please visit:<br />
http://ics.leeds.ac.uk/mcp<br />
http://www.intellectbooks.com/journals/mcp/index.htm</p>

<p><br />
Commentaries Editor<br />
Liza Tsaliki<br />
National and Kapodistrian University of Athens<br />
Dept of Communication and Mass Media<br />
etsaliki@media.uoa.gr</p>]]>

</content>
</entry>
<entry>
<title>(1-10-2007) Carnal Knowledge[s]: Desire, Consumption and the Visual</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/01/3292007_cfp_car.php" />
<modified>2006-10-11T22:58:33Z</modified>
<issued>2006-01-10T22:51:10Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.1059</id>
<created>2006-01-10T22:51:10Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>CALL FOR PAPERS:</p>

<p>CFP: łCarnal Knowledge[s]: Desire, Consumption and the Visual˛<br />
March 29, 2007<br />
Images of the body have long been used to sell things, including the body<br />
itself, and sexualized representations of the body are ubiquitous in our<br />
culture. This one-day symposium seeks to foster discussions of the<br />
intersection of the body, desire, and commodification. Rather than simply<br />
decrying this intersection as exploitative or celebrating it as liberatory,<br />
we want to explore the complications of sexualized imagery. How do<br />
pornographic, or pornographically inspired, images create expectations?</p>

<p>łCarnal Knowledges˛ will be the fourth annual visual culture symposium at<br />
George Mason University and following in the tradition of the preceding<br />
symposia will be an interdisciplinary, multimedia inquiry into issues<br />
relevant to the theme, and to visual culture in general, from multiple<br />
perspectives to include faculty, graduate and undergraduate work. In past<br />
years our co-sponsors have included a diverse group of departments and<br />
programs at the University, including programs in Cultural Studies, Film and<br />
Media Studies and Honors, and the Departments of Art and Visual Technology,<br />
English, Art History and History, Sociology and Anthropology, Philosophy,<br />
the New Century College, and the Womenąs Studies Center.</p>

<p>As in previous years, the symposium will be presented concurrently with a<br />
juried student exhibition of work created in relation to a parallel theme,<br />
łCarnal Visions.˛ For more information, please refer to:<br />
http://www.avt.gmu.edu.</p>

<p>Abstracts of no more than 300 words are due January 10, 2007, and should be<br />
submitted to elgorman@msn.com. All paper presentations will be no longer<br />
than 15 minutes, including accompanying visual images, and each panel will<br />
conclude with questions from and dialogue with the audience.</p>

<p>Keynote Speaker: <br />
Peter Lehman is Director of the Interdisciplinary Humanities Program at<br />
Arizona State University, and teaches film history and theory. His newest<br />
book is Pornography:Film and Culture from Rutgers University Press. He has<br />
also written: Blake Edwards, Running Scared: Masculinity and the<br />
Representation of the Male Body and Thinking about Movies: Introduction to<br />
Film Studies, and edited Close Viewings: An Anthology of New Film Criticism<br />
and Defining Cinema.</p>

<p>Possible Panel ideas/themes include, but are not limited to:<br />
Violence and desire<br />
Images of war and terror<br />
Desire and Dissection<br />
DIY: the Internet and łamateur˛ photography<br />
Selling with the body: advertising and the pornography aesthetic<br />
Feminisms and the commodified body<br />
Erotica: can you draw a line between art and porn?<br />
Class and sexualized desire</p>

<p><br />
Lynne Constantine<br />
Associate Chair, Art and Visual Technology<br />
Assistant Professor, Art and Visual Technology<br />
Doctoral Candidate, Cultural Studies<br />
George Mason University<br />
lconstan@gmu.edu</p>

<p>Ellen Gorman<br />
Doctoral Student, Cultural Studies, George Mason University<br />
Lecturer, Georgetown University and Corcoran College of Art + Design<br />
elgorman@msn.com</p>

<p>Tracy McLoone<br />
Doctoral Candidate, Cultural Studies<br />
Instructor, New Century College and Honors Program<br />
George Mason University<br />
tmcloone@gmu.edu<br />
</p>]]>

</content>
</entry>
<entry>
<title>(no date) CFP: After Culture: Emergent Anthropologies (new journal)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/01/no_date_cfp_aft.php" />
<modified>2006-03-03T07:23:20Z</modified>
<issued>2006-01-31T19:49:29Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.871</id>
<created>2006-01-31T19:49:29Z</created>
<summary type="text/plain"></summary>
<author>
<name>Bryce</name>

<email>bmncaper@canda.com</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Call for Papers: After Culture: Emergent Anthropologies</p>

<p>Papers are sought for the inaugural volume of a new peer-reviewed journal, "After Culture: Emergent Anthropologies."  The first issue is planned for release in September 2006, and thereafter will be published semiannually (in March and September) and made available free through the internet (URL forthcoming).</p>

<p>We are currently seeking article manuscripts which focus on the interactions between nature, culture and society, or are in the general thematic areas of science and technology studies or critical studies of medical knowledge and practice.  Contributors are encouraged to employ any form of rigorous theoretical and methodological approach, not limited to ethnography, historiography and textual analysis.</p>

<p>Manuscripts should range between 8,000-10,000 words in length, be paginated, and bear the title and author's name and affiliation on a cover page. Please also include a 200-250 word abstract, a list of keywords, and word count on the first page of the manuscript.</p>

<p>In addition to research articles and book reviews, we would like to include within our first volume short essays in response to the title of the journal.  For example, what might it mean to live "after culture," or to produce academic work without culture as an explanatory tool?  Or, how is culture still relevant?  Alternatively, responses to ideas of "emergence" and "anthropology" in its broadest sense are also welcome.  These essays should range between 3,000-5,000 words.</p>

<p>All submissions may be sent to after.culture@gmail.com.  For the purposes of citation, please employ AAA citation practices, which are available at http://www.aaanet.org/pubs/style_guide.htm.</p>

<p>Send all inquiries to Matthew Wolf-Meyer, Managing Editor, at<br />
after.culture@gmail.com.</p>

<p>Further information can be found at<br />
http://www.tc.umn.edu/~wolf0358/afterculture.htm.<br />
</p>]]>

</content>
</entry>
<entry>
<title>(no date) CFP: Learning Inquiry (new journal)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/03/no_date_cfp_lea.php" />
<modified>2006-03-21T18:04:02Z</modified>
<issued>2006-03-14T22:12:47Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.959</id>
<created>2006-03-14T22:12:47Z</created>
<summary type="text/plain"></summary>
<author>
<name>Bryce</name>

<email>bmncaper@canda.com</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Call for papers</p>

<p>Learning Inquiry</p>

<p>A new journal from Springer</p>

<p>Editors: Jason Nolan and Jeremy Hunsinger</p>

<p>email: editors@learning-inquiry.info</p>

<p>Learning Inquiry is a refereed scholarly journal, devoted to<br />
establishing the area of "learning" as a focus for transdisciplinary<br />
study. The journal is a forum centered on learning that remains open<br />
to varied objects of inquiry, including machine, human, plant and<br />
animal learning as well as the processes of learning in business,<br />
government, and the professions, both in formal and informal<br />
environments. This journal is of importance to those interested in<br />
learning, understanding its contexts, and anticipating its future.<br />
The journal will also present special issues that identify the<br />
central areas of learning inquiry to provide focus for future<br />
research. Learning Inquiry strikes a balance between presenting<br />
innovative research and documenting current knowledge to foster a<br />
scholarly dialogue on learning that is independent of domain and<br />
methodological restrictions.</p>

<p>Editorial Board of Learning Inquiry<br />
David Berliner, Arizona State University, USA<br />
Megan Boler, University of Toronto, Canada<br />
Erik De Corte, Catholic University of Leuven, Belgium<br />
Kattie Embree, Columbia University, USA<br />
Charles Ess, Drury University, USA & Norwegian University of Science<br />
and Technology, Norway<br />
Jim Garrison, Virginia Tech, USA<br />
Henry Giroux, McMaster University, Canada<br />
Mimi Ito, University of Southern California, USA & Keio University,<br />
Japan<br />
Cushla Kapitzke, University of Queensland, Australia<br />
Heinz Mandl, Ludwig Maximilians University, Germany<br />
Kinshuk, Massey University, New Zealand<br />
Penina Mlama, University of Dar es Salaam, Tanzania<br />
Nuria Oliver, Microsoft, USA<br />
Ann Renninger, Swarthmore College, USA<br />
Ingvar Sigurgeirsson, Iceland University of Education, Iceland<br />
Joel Weiss, University of Toronto, Canada</p>

<p>Submit Your Research to Learning Inquiry<br />
http://submit.learning-inquiry.info</p>

<p>Learning Inquiry is currently accepting manuscripts through our fully<br />
web-enabled online manuscript submission and review system.<br />
Manuscripts should be submitted at http://submit.learning-<br />
inquiry.info . Manuscripts should be written for an audience that is<br />
general in scope, and submissions can include essays, research<br />
articles, forums, and review articles that document the state of<br />
knowledge and recent developments in the field. Visit http://<br />
springer.com/journal/11519 for further information and to sign up for<br />
information alerts about upcoming issues of Learning Inquiry.</p>

<p>ISSN 1558-2973 (print version) I ISSN 1558-2981 (electronic version)</p>

<p>Jeremy Hunsinger<br />
Center for Digital Discourse and Culture<br />
() ascii ribbon campaign - against html mail<br />
/\ - against microsoft attachments</p>

<p>http://www.aoir.org The Association of Internet Researchers<br />
http://www.stswiki.org/ stswiki<br />
</p>]]>

</content>
</entry>
<entry>
<title>(no date) CFP: Black/African TransRacial Adoptees (book volume)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/03/no_date_cfp_bla.php" />
<modified>2006-03-21T18:02:47Z</modified>
<issued>2006-03-14T22:13:49Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.960</id>
<created>2006-03-14T22:13:49Z</created>
<summary type="text/plain"></summary>
<author>
<name>Bryce</name>

<email>bmncaper@canda.com</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>TRA: Represent!</p>

<p>Black/African TransRacial Adoptees</p>

<p>I'm lookin for you! I'm editing a volume of creative and critical work to<br />
represent the voices/experiences of African, African American and mixed-race<br />
transracial adoptees. Poetry, short stories, fantastical imaginaries,<br />
critical thought, truth and dreams welcome!</p>

<p>If you are or if you know someone who is a TRA, a writer or willing to try<br />
to write about their experiences - please have them email me at<br />
lrollins@berkeley.edu</p>

<p>THE  BIRTH  PROJECT</p>

<p>http://birthproject.blogspot.com <http://birthproject.blogspot.com/></p>

<p>Solidarity,</p>

<p>Lisa Marie Rollins<br />
Ph.D. Candidate<br />
African Diaspora Program<br />
African American Studies<br />
University of California<br />
660 Barrows Hall #2572<br />
Berkeley, CA 94720</p>]]>

</content>
</entry>
<entry>
<title>(no date) CFP: Culture Machine (online journal)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/03/no_date_cfp_cul.php" />
<modified>2006-03-21T18:01:57Z</modified>
<issued>2006-03-14T22:16:38Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.961</id>
<created>2006-03-14T22:16:38Z</created>
<summary type="text/plain"></summary>
<author>
<name>Bryce</name>

<email>bmncaper@canda.com</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Culture Machine publishes one edition of the journal each year. Once available on the Internet, feedback (ideally of between 500 and 4,000 words) on either an edition as a whole, or individual essays, are accepted and published alongside the relevant edition.  </p>

<p>The editors also invite focused review articles on any aspect of culture and theory for publication in the Culture Machine Reviews section which publishes reviews of books, conferences, and other items of interest on a rolling, all year round basis (rather than annually, as is the case with the e-journal). </p>

<p>Finally, the editors are seeking original unpublished submissions for our newest section: the Culture Machine InterZone. Like the Reviews section, the InterZone publishes research in culture and theory all year round. It is also unthemed, thus enabling Culture Machine to  promote and support a far greater diversity of work. Other than that, all the main features of the Culture Machine journal remain: the InterZone is peer-reviewed; is open to both established figures and newer writers; and accepts commissioned and unsolicited material from both academics and non-academics.  </p>

<p>Anyone with material they would like to submit to the Culture Machine journal, Reviews section or InterZone for publication is invited to contact the editors. (We reply to all serious mail.) </p>

<p>Please note: all contributions to Culture Machine, including the Culture Machine journal, InterZone and Reviews section, will be refereed anonymously. </p>

<p>Culture Machine welcomes material from Britain, Australia and the United States, and is particularly interested in acquiring contributions from those working outside the usual Anglo/Australian/American nexus that currently seems to dominate so much of Cultural Studies. Culture Machine also welcomes contributions from readers/participants of so-called ‘inter-active’ texts, or any other forms that take advantage of and explore the uses and limitations of new technology.  </p>

<p>Anyone who has material they would like to submit for publication is invited to contact Culture Machine's editors Dave Boothroyd or Gary Hall. (We reply to all serious mail.)</p>

<p>D.Boothroyd@ukc.ac.uk<br />
G.Hall@mdx.ac.uk</p>]]>

</content>
</entry>
<entry>
<title>Updated 08/31/06</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/03/updated_0228200.php" />
<modified>2006-08-31T21:24:48Z</modified>
<issued>2006-03-24T19:42:07Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.982</id>
<created>2006-03-24T19:42:07Z</created>
<summary type="text/plain"></summary>
<author>
<name>tedf</name>
<url>http://tedfriedman.com</url>
<email>ted@tedfriedman.com</email>
</author>
<dc:subject>Calendar of Upcoming Conferences</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>CALENDAR OF EVENTS</p>

<p>August 31, 2006-September 4, 2006<br />
American Political Science Association<br />
(San Francisco, CA)<br />
http://www.apsanet.org/</p>

<p>September 4-6, 2006<br />
Engaging Baudrillard <br />
(Swansea, UK, Swansea University)<br />
http://www.swan.ac.uk/mediastudies/staff.html</p>

<p>September 6-8<br />
Media Change and Social Theory<br />
(Oxford, UK, St Hugh's College)<br />
http://www.cresc.ac.uk/events/sept06/confsept06main.htm</p>

<p>September 14-15, 2006<br />
Authenticity<br />
(Manchester, UK, Salford University)<br />
http://www.esri.salford.ac.uk/seminars/forthcoming/index.shtml</p>

<p>September 14-19, 2006<br />
Race and Pedagogy<br />
(Tacoma, WA, University of Puget Sound)<br />
http://www.ups.edu/raceandpedagogy/</p>

<p>September 15-19, 2006<br />
Internationalising Media Studies<br />
(London, UK, University of Westminster)<br />
email: winstonmano@yahoo.com or winstonmano@yahoo.com</p>

<p>September 18-20, 2006<br />
2nd Global Conference: Hope - Probing the Boundaries<br />
(Mansfield College, Oxford, United Kingdom)<br />
http://www.inter-disciplinary.net/ptb/hope/h2/cfp.htm</p>

<p>September 18-21, 2006<br />
4th Global Conference: Monsters and the Monstrous: Myths and Metaphors of Enduring Evil<br />
(Mansfield College, Oxford, United Kingdom)<br />
http://www.wickedness.net/Monsters/M4/cfp.html</p>

<p>September 27-29, 2006<br />
AEMA THIRD ANNUAL CONFERENCE<br />
(Melbourne, Victoria, Australia) <br />
website: http://home.vicnet.net.au/~medieval/conferences.html</p>

<p>September 27-29, 2006<br />
9th International Conference on Interactive Computer aided Learning<br />
(Villach, Austria)<br />
http://www.icl-conference.org</p>

<p>September 28-30, 2006<br />
Christ in Contemporary Cultures: A Cultural Studies Conference<br />
(Wenham, MA, Gordon College)<br />
email: Christ-in-Cultures@gordon.edu<br />
url: http://www.christ-in-cultures.com/</p>

<p>September 29-30, 2006<br />
Innovative Approaches to Conflict Resolution across the Disciplines<br />
(Binghamton, NY, Binghamton University)<br />
email: mrosenwa@binghamton.edu</p>

<p>September 29-30, 2006<br />
Identity and Identification in a Networked World<br />
(New York, New York University)<br />
email: michael.zimmer@nyu.edu</p>

<p>September 29-October 1st, 2006<br />
6th Annual Global Fusion Conference<br />
(Chicago, Illinois)<br />
www.global-fusion.org</p>

<p>October 5-7, 2006<br />
The 67th Annual Pennsylvania Communication Association Conference<br />
(Monaca, PA, Pennsylvania State University-Beaver)<br />
http://www.pca.duq.edu</p>

<p>October 5-7, 2006<br />
International Conference on Communication, Mass Media and Culture<br />
(Istanbul, Turkey)<br />
http://iletisim.bahcesehir.edu.tr/freedom</p>

<p>October 5-8, 2006<br />
10th Biennial Public Address Conference<br />
(Nashville, TN, Vanderbilt University)<br />
http://sitemason.vanderbilt.edu/comm/2006PublicAddressConference</p>

<p>October 12-13, 2006<br />
MANAGING DESTINATIONS IN A COMPETITIVE WORLD: Culture, Heritage and Tourism <br />
(Sheffield Hallam University, UK)<br />
http://www.tourism-culture.com </p>

<p>October 13-14, 2006<br />
Translation as Commentary<br />
(Paris, France, Universite Paris Institut du Monde Anglophone)<br />
E-mail: c.raguet@univ-paris3.fr</p>

<p>October 12-14, 2006<br />
Not Drowning But Waving: Women, Feminism, and the Liberal Arts<br />
(Alberta, CA, University of Alberta)<br />
www.crcstudio.arts.ualberta.ca/waving</p>

<p>October 12-15, 2006<br />
Organization for the Study of Communication, Language and Gender 29th<br />
Annual Meeting<br />
(Saint Louis University, St. Louis, MO)<br />
www.osclg.org</p>

<p>October 12-16, 2006<br />
2006 Annual Meeting of the Society for the History of Technology<br />
(Las Vegas, NV)<br />
http://www.shot.jhu.edu/Annual_Meeting/Annual_Meeting_Main_Page.htm</p>

<p>October 25-29, 2006<br />
ESF Research Conference <br />
(Linköping University, Vadstena, Sweden)<br />
www.esf.org/conferences/sc06217</p>

<p>October 26-29, 2006<br />
Flow Conference 2006<br />
(Austin, TX, University of Texas)<br />
www.flowconference.org</p>

<p>October 27-29, 2006<br />
Mid-Atlantic Popular/American Culture Association (MAPACA<br />
Wyndham Baltimore Hotel, Baltimore, MD<br />
http://www.wcenter.ncc.edu/gazette/</p>

<p>November 8-12, 2006<br />
2006 Film and History League Conference <br />
Dolce Convention Center, Dallas, TX<br />
www.filmandhistory.org</p>

<p>November 9-11, 2006<br />
Attending to Early Modern Women-- and Men<br />
(College Park, MD, University of Maryland)<br />
http://www.crbs.umd.edu/atw/atw6</p>

<p>November 9-12. 2006<br />
20th Annual Conference Society for Literature, Science, and the Arts<br />
(New York, NY)<br />
http://www.dactyl.org/SLSA.htm</p>

<p>November 10-12, 2006<br />
South Atlantic Modern Language Association Conference<br />
(Charlotte, NC)<br />
http://www.samla.org/convention/convention.htm</p>

<p>November 14-19, 2006<br />
National Communication Association Annual Convention<br />
(San Antonio, TX)<br />
http://www.natcom.org/Convention/default.htm</p>

<p>November 15, 2006<br />
Communications and Economy (Preconference for NCA)<br />
(San Antonio, TX)<br />
mhayward@email.unc.edu</p>

<p>November 15-17, 2006<br />
2nd International Media & Environment Conference <br />
(Kuching, Sarawak, Malaysia)<br />
website: http://www.newsworldnature.com/home.php</p>

<p>November 17-18, 2006<br />
First National Conference on Writing as Critical Thinking Across the Disciplines<br />
(Hamden, CT, Quinnipiac University)<br />
email: Timothy.Dansdill@quinnipiac.edu</p>

<p>November 19-23, 2006<br />
LANGUAGE, CULTURE AND ENDANGERMENT <br />
(Owerri, Nigeria, Imo State University)<br />
http://www.apnilac.4t.com, www.callycussons.com</p>

<p>November 24-26, 2006<br />
International Conference on Argumentation, Rhetoric, Debate and the Pedagogy of Empowerment<br />
(Koper, Slovenia, Faculty of Humanities)<br />
http://debate.uvm.edu/betterworld.htm</p>

<p>January 4-7, 2007<br />
American Historical Association Annual Meeting<br />
(Atlanta, GA)<br />
http://www.historians.org/annual/index.cfm</p>

<p>January 12-15, 2007<br />
5th Annual Hawaii International Conference on Arts and Humanities<br />
(Honolulu, HI)<br />
http://www.hichumanities.org</p>

<p>February 1-4, 2007<br />
The 32nd Annual FSU Conference on Literature and Film<br />
(Florida State University, Tallahassee, Florida)<br />
http://english.fsu.edu/filmlit/</p>

<p>February 14-17, 2007<br />
Southwest Texas Popular/American Culture Association<br />
(Albuquerque, New Mexico)<br />
http://www.h-net.org/~swpca</p>

<p>March 8-10, 2007<br />
16th annual Cultural Studies Conference at Kansas State University<br />
(Manhattan, KS, Kansas State University)<br />
email:  mjanette@ksu.edu</p>

<p>Dates TBA, 2007<br />
Western States Communication Association Conference<br />
(Seattle, WA)<br />
http://www.westcomm.org/conventions/index.html</p>

<p>April, 2007 (specific dates to be determined)<br />
National PCA/ACA Conference<br />
(Boston, MA)<br />
http://www.h-net.org/~pcaaca/</p>

<p>April 2007<br />
Broadcast Education Association Convention<br />
(Las Vegas, NV)<br />
http://www.beaweb.org/</p>

<p>May 24-28, 2007<br />
International Communication Association Annual Conference<br />
(San Francisco, CA)<br />
http://www.icahdq.org/</p>

<p>August 9-12, 2007<br />
Association of Educators in Journalism and Mass Communication<br />
(Washington, DC)<br />
http://www.aejmc.org/</p>

<p>August 16-19, 2007<br />
American Psychological Association Conference<br />
(San Francisco, CA)<br />
http://www.apa.org/conf.html</p>

<p>August 30, 2007-September 2, 2007<br />
American Political Science Association<br />
(Chicago, IL)<br />
http://www.apsanet.org/</p>

<p>November 8-12, 2006<br />
Film and History Conference: The Documentary Tradition<br />
(Dallas, TX, Dolce Conference Center)<br />
email: RollinsPC@aol.com<br />
url: http://www.filmandhistory.org</p>

<p>December 2, 2006<br />
Subversive Re/Viewing: Readings, Communities, Practices<br />
(Cheltenham, Gloucestershire, United Kingdom)<br />
email: rgriffiths@glos.ac.uk</p>

<p>April 20, 2007<br />
Telling Stories: Theories and Criticism<br />
(Loughborough University, United Kingdom)<br />
http://www.lboro.ac.uk/departments/ac/mainpages/Research/staff%20groups/arts.htm</p>

<p>November 8-11, 2007<br />
National Communication Association Annual Convention<br />
(Chicago, IL)<br />
http://www.natcom.org/Convention/default.htm</p>

<p>January 3-6, 2008<br />
American Historical Association Annual Meeting<br />
(Washington, DC)<br />
http://www.historians.org/annual/index.cfm</p>

<p>May 22-26, 2008<br />
International Communication Association Annual Conference<br />
(Montreal, QC, Canada)<br />
http://www.icahdq.org/</p>

<p>August 6-9, 2008<br />
Association for Educators in Journalism and Mass Communication<br />
(Chicago, IL)<br />
http://www.aejmc.org/</p>

<p>August 14-17, 2008<br />
American Psychological Association Conference<br />
(Boston, MA)<br />
http://www.apa.org/conf.html</p>

<p>August 28-31, 2008<br />
American Political Science Association<br />
(Boston, MA)<br />
http://www.apsanet.org/</p>

<p>Dates TBA, 2008<br />
National Communication Association Annual Convention<br />
(San Diego, CA)<br />
http://www.natcom.org/Convention/default.htm</p>

<p>January 2-5, 2009<br />
American Historical Association Annual Meeting<br />
(New York, NY)<br />
http://www.historians.org/annual/index.cfm</p>

<p>May 21-25, 2009<br />
International Communication Association Annual Conference<br />
(Chicago, IL)<br />
http://www.icahdq.org/</p>

<p>August 13-16, 2009<br />
American Psychological Association Conference<br />
(Toronto, ON, Canada)<br />
http://www.apa.org/conf.html</p>

<p>January 7-10, 2010<br />
American Historical Association Annual Meeting<br />
(San Diego, CA)<br />
http://www.historians.org/annual/index.cfm</p>

<p>August 12-15, 2010<br />
American Psychological Association Conference<br />
(San Diego, CA)<br />
http://www.apa.org/conf.html</p>

<p>January 6-9, 2011<br />
American Historical Association Annual Meeting<br />
(Boston, MA)<br />
http://www.historians.org/annual/index.cfm</p>

<p>August 11-14, 2011<br />
American Psychological Association Conference<br />
(Washington, DC)<br />
http://www.apa.org/conf.html</p>

<p>January 5-8, 2012<br />
American Historical Association Annual Meeting<br />
(Chicago, IL)<br />
http://www.historians.org/annual/index.cfm</p>

<p>August 9-12, 2012<br />
American Psychological Association Conference<br />
(Chicago, IL)<br />
http://www.apa.org/conf.html</p>

<p>January 3-6, 2013<br />
American Historical Association Annual Meeting<br />
(New Orleans, LA)<br />
http://www.historians.org/annual/index.cfm</p>]]>

</content>
</entry>
<entry>
<title>March 29, 2007</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/03/march_29_2007.php" />
<modified>2006-10-11T23:07:31Z</modified>
<issued>2006-03-29T23:00:45Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.1060</id>
<created>2006-03-29T23:00:45Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calendar of Upcoming Conferences</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>łCarnal Knowledge[s]: Desire, Consumption and the Visual</p>

<p>March 29, 2007<br />
George Mason University <br />
For more information, please refer to:<br />
http://www.avt.gmu.edu<br />
</p>]]>

</content>
</entry>
<entry>
<title>(7/31/07) CFP: POPULAR MUSIC AND SOCIETY</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2006/07/73107_cfp_popul.php" />
<modified>2006-04-18T20:55:50Z</modified>
<issued>2006-07-31T20:55:03Z</issued>
<id>tag:www.tedfriedman.com,2006:/cfps//2.1013</id>
<created>2006-07-31T20:55:03Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>POPULAR MUSIC AND SOCIETY</p>

<p>Call for Submissions</p>

<p>Special Issue on Amateur Music and Television</p>

<p>The tradition of amateur musicians and talent contests in the mass media<br />
precedes the advent of popular television, yet in recent years,<br />
particularly in the form of the various national Idol programs, amateur<br />
music-making on television has seen staggering growth in popularity and<br />
profitability. This issue of Popular Music and Society seeks<br />
contributions that consider this boom from a range of perspectives.</p>

<p>Along with a host of other social types and narrative contexts familiar<br />
to pre-WWII radio audiences, the amateur musician and the talent contest<br />
migrated to television in the new medium's earliest days. In recent<br />
decades the amateur genre has been one of undistinguished ratings and<br />
negligible impact on the entertainment industry, despite the role of US<br />
shows like Ed McMahon's Star Search in boosting the occasional singer or<br />
model into the industry. In the last five years, however, the worldwide<br />
media phenomenon initiated by Great Britain's Pop Idol television show<br />
has brought the amateur into the lives of TV viewers in unprecedented<br />
ways, forcefully suggesting the extraordinary contemporary relevance of<br />
amateur music contests on television. Additionally, the Eurovision Song<br />
Contest is beginning to receive academic attention as international<br />
popular music and cultural studies conferences increasingly feature<br />
panels on national identity and nationalism in this competition.</p>

<p>In the United States, the synergistic multimedia success of American<br />
Idol has been unprecedented. The Fox network show has generated<br />
staggering ratings across audiences of all age groups. First American<br />
Idol winner Kelly Clarkson's debut single rose faster in the pop charts<br />
than any other song in chart history--outpacing the previous record<br />
holder, the Beatles'</p>

<p>1964 hit "Can't Buy Me Love," by a wide margin. The popularity of the<br />
"democratic" principle of audience telephone voting was such that<br />
network programmers considered spinoff shows along the lines of American<br />
Presidential Candidate-Idol.</p>

<p>These and other issues within the amateur musician/television nexus<br />
warrant further analysis. Is this merely the discovery, as American<br />
Idol/Pop Idol judge and executive producer Simon Cowell would argue, of<br />
a radically effective new cross-platform marketing strategy? Or is there<br />
more to understanding the contemporary success of this form? The Guest<br />
Editor of this Special Issue seeks submissions that will help scholars<br />
understand the phenomenal international success of amateur music on<br />
television today. The following topics are exemplary but are by no means<br />
the limit of the kinds of submissions that would be welcomed:</p>

<p>* International and non-anglophone programming and perspectives</p>

<p>* Performance of nationalism and national identity</p>

<p>* Local amateur music programming</p>

<p>* The political economy of amateur music on television</p>

<p>* The aesthetics of amateur music on television</p>

<p>* The relation of amateur music on television to the music industry</p>

<p>* Historical accounts of amateur music on television</p>

<p>* Amateur music and globalization, neoliberalism or neoconservatism</p>

<p>* Relation of amateur music on television to social, political,<br />
cultural,</p>

<p>or economic change</p>

<p>* Amateur music on television and the public sphere and/or cultural<br />
policy</p>

<p>* The meaning of the contestant and/or judge and/or voting demos in</p>

<p>musical talent contests</p>

<p>The issue is tentatively scheduled for publication in May 2008.</p>

<p>Deadline for receipt of submissions is July 31, 2007.</p>

<p>Please e-mail submissions to Matt Stahl at mastahl@weber.ucsd.edu or<br />
mail them to:</p>

<p>Matt Stahl<br />
Department of Communication, 0503<br />
University of California, San Diego<br />
9500 Gilman Dr.<br />
La Jolla CA 92093<br />
USA<br />
</p>]]>

</content>
</entry>
<entry>
<title>(no date) Learning Inquiry (new journal)</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2007/06/no_date_learnin.php" />
<modified>2006-06-06T22:39:56Z</modified>
<issued>2007-06-06T22:38:03Z</issued>
<id>tag:www.tedfriedman.com,2007:/cfps//2.1038</id>
<created>2007-06-06T22:38:03Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Call for papers</p>

<p>Learning Inquiry</p>

<p><br />
A new journal from Springer</p>

<p>Editors: Jason Nolan and Jeremy Hunsinger</p>

<p>email: editors@learning-inquiry.info<br />
url: http://cfp.learning-inquiry.info</p>

<p>Learning Inquiry is a refereed scholarly journal, devoted to<br />
establishing the area of "learning" as a focus for transdisciplinary<br />
study. The journal is a forum centered on learning that remains open<br />
to varied objects of inquiry, including machine, human, plant and<br />
animal learning as well as the processes of learning in business,<br />
government, and the professions, both in formal and informal<br />
environments. This journal is of importance to those interested in<br />
learning, understanding its contexts, and anticipating its future.<br />
The journal will also present special issues that identify the<br />
central areas of learning inquiry to provide focus for future<br />
research. Learning Inquiry strikes a balance between presenting<br />
innovative research and documenting current knowledge to foster a<br />
scholarly dialogue on learning that is independent of domain and<br />
methodological restrictions.</p>

<p>Editorial Board of Learning Inquiry<br />
David Berliner, Arizona State University, USA<br />
Megan Boler, University of Toronto, Canada<br />
Erik De Corte, Catholic University of Leuven, Belgium<br />
Kattie Embree, Columbia University, USA<br />
Charles Ess, Drury University, USA & Norwegian University of Science<br />
and Technology, Norway<br />
Jim Garrison, Virginia Tech, USA<br />
Henry Giroux, McMaster University, Canada<br />
Mimi Ito, University of Southern California, USA & Keio University,<br />
Japan<br />
Cushla Kapitzke, University of Queensland, Australia<br />
Heinz Mandl, Ludwig Maximilians University, Germany<br />
Kinshuk, Massey University, New Zealand<br />
Penina Mlama, University of Dar es Salaam, Tanzania<br />
Nuria Oliver, Microsoft, USA<br />
K. Ann Renninger, Swarthmore College, USA<br />
Ingvar Sigurgeirsson, Iceland University of Education, Iceland<br />
Joel Weiss, University of Toronto, Canada</p>

<p>Submit Your Research to Learning Inquiry<br />
http://submit.learning-inquiry.info</p>

<p>Learning Inquiry is currently accepting manuscripts through our fully<br />
web-enabled online manuscript submission and review system.<br />
Manuscripts should be submitted at http://submit.learning-<br />
inquiry.info . Manuscripts should be written for an audience that is<br />
general in scope, and submissions can include essays, research<br />
articles, forums, and review articles that document the state of<br />
knowledge and recent developments in the field. Visit http://<br />
springer.com/journal/11519 for further information and to sign up for<br />
information alerts about upcoming issues of Learning Inquiry.</p>

<p>ISSN 1558-2973 (print version) I ISSN 1558-2981 (electronic version)</p>

<p>Jeremy Hunsinger<br />
Center for Digital Discourse and Culture<br />
() ascii ribbon campaign - against html mail<br />
/\ - against microsoft attachments</p>

<p>http://www.aoir.org The Association of Internet Researchers<br />
http://www.stswiki.org/ stswiki<br />
http://cfp.learning-inquiry.info/  LI-the journal</p>]]>

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</entry>
<entry>
<title>(no date) Particip@tions</title>
<link rel="alternate" type="text/html" href="http://www.tedfriedman.com/cfps/2007/06/no_date_partici.php" />
<modified>2006-06-07T04:26:48Z</modified>
<issued>2007-06-07T04:25:56Z</issued>
<id>tag:www.tedfriedman.com,2007:/cfps//2.1049</id>
<created>2007-06-07T04:25:56Z</created>
<summary type="text/plain"></summary>
<author>
<name>billy</name>

<email>byoo2@student.gsu.edu</email>
</author>
<dc:subject>Calls for Papers</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.tedfriedman.com/cfps/">
<![CDATA[<p>Particip@tions is always on the look-out for contributions from a wide<br />
range of disciplines that focus on audience research. It publishes<br />
contributions from various approaches, such as, sociology, psychology,<br />
anthropology, linguistics/discourse theory and cultural and media studies. Additionally, since important notions about audiences have emerged from outside the 'mainstream'of media audience research, Particip@tions will also publish noteworthy contributions from fields such as museum and heritage studies; literary studies; educational studies, as well as interesting contributions from fields outside academia.</p>

<p>Briefly -<br />
Particip@tions aims to<br />
   * publish research from different approaches, without the limitations<br />
on length and presentation of evidence which can cramp and weaken such work;<br />
   * encourage open debate between different approaches and methodologies;<br />
   * encourage collaborations across academic disciplines, areas and<br />
countries;<br />
   * provide a place where people may find materials and bibliographies<br />
for use in teaching, and research training;<br />
   * provide a focal point for the development of the broad field,<br />
including the organization of conferences and other kinds of fora.</p>

<p><br />
Particip@tions is a fully-refereed Journal, seeking to publish genuine advances in knowledge and understanding, and original contributions to debate and dialogue. All submissions of over 1,000 words, other than book reviews, will be scrutinised by at least three expert referees who will be asked to report in detail on the suitability for publication of submissions against a published checklist of criteria. One of the three will be a member of the Editorial Board, whose task it will be to collate responses and bring a recommendation to the Editor/Editorial Board, as appropriate. It will be the Journal’s policy that, wherever possible, authors will receive responses within three months of submission. Shorter submissions will normally be considered by two referees, one of whom will be a member of the Editorial Board.</p>

<p>There are no restrictions on the length of submissions, although the Editorial Board reserves the right to advise authors that a submission is unnecessarily long, and to suggest where cuts might be made.  </p>

<p>Articles should be submitted as e-mail attachments, formatted as follows:</p>

<p>in 12 point, in a standard font, in Word 6 (or in a format which can be converted into Word 6); <br />
they should be headed by a summary of 100-150 words, setting out their main thrust; <br />
submissions should be headed by a title, and the author(s)’ name(s), along with any institutional location; <br />
submissions should include 3-10 key words; <br />
paragraphs should not be indented, but separated by additional spaces; <br />
titles and equivalents should be given in italics; <br />
quotations of less than 40 words should be included in the text with single inverted commas, and double inverted commas for quotes within quotes. Quotations of more than 40 words should be indented, instead of being placed in quote-marks; <br />
numbers should usually be spelt out rather than presented as numerals, except for numbers over 100, percentages and dates; <br />
submissions which include materials from interviews must make clear either that people have been anonymised, or that interviewees have given their permission for quotations to be used; <br />
you may, if you wish, include a means by which you can be contacted (normally, your email address) at the end of your main text; <br />
endnotes (not footnotes) may be used; <br />
a bibliography, broadly using the MLA mode of presentation, should be supplied, as sketched below; <br />
all images should be sent as separate files, preferably as jpegs – it is authors’ responsibility to ensure that no copyright issues attach to the images they submit. <br />
Upon acceptance of any submission for publication, a CONTRIBUTOR CONTRACT will be sent as a PDF file, which should be printed, signed and returned to the Editorial address (which will be on the form).<br />
</p>]]>

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